Monkeys With Hammers rocked Whippersnappers in Londonderry, NH last night

SONY DSCMonkeys With Hammers is a formidable power rock cover trio. Consisting of guitarist-vocalist Chris Lester, bassist-vocalist Rich Knox, and drummer Eric Wagley, MWH played to an enthusiastic audience at Whippersnappers in Londonderry, New Hampshire last night. It didn’t take long to realize this trio has stage chemistry and camaraderie. They’re having so much fun playing together that they make it look easy to do what they do, even though some of their material is quite challenging.

Unfurling the thick rhythms of Tom Petty’s “Last Dance With Maryjane,” MWH began their show with a dose of Lester’s hefty guitar work. He pulled this unwieldy song along through its twists and  turns. Following up with Led Zeppelin’s “Good Times Bad Times,” the boys showcased some bracing guitar and bass work. Lester’s lead phrasing was also pleasingly good during The Cars’ “Best Friend’s Girl.”

The rhythm section had plenty of opportunities to strut their stuff too last night. They put a knobby pulse underneath the guitar and vocals on The Rolling Stones’ “Miss You.” The Knox-Wagley groove pulled several dancers onto the floor, on this tune and on several others. Lester did his guitar thing again,  peeling off several screamy guitar notes that made you think he was throttling his guitar, bending it to his will, until it screamed at his pleasure.

Gavin DeGraw’s 2003 hit “I Don’t Want To Be” was a surprise choice for such a hard rocking trio, but they made it work with their own flinty, walloping style. Vibrant melodic phrasing, pulsating bass, and numerous drum smacks going on made it a killer rendition. MWH were especially solid, tight, and speedy on Collective Souls’ ferocious hit “Heavy.” It felt like a never ending high voltage roller coaster ride. Shifting to gears to the mid 190s, MWH went into the rhythmic hip of Aerosmith’s “Walk This Way,” a  number marked by speedy rhythm guitar and an irresistible beat.

SONY DSCMonkeys With Hammers had their way with The Killers’ hit “Somebody Told Me.” Moving onto The Rolling Stones’ “Brown Sugar,” Lester’s guitar line just whistled out of the speakers, clean, thin, bright. After a solid take on “No Matter What” by Badfinger, Wagley played a mini drum solo, showing how easily he can move a lot of smacks over a fast moving beat.

There were a couple of Prince tunes thrown into last night’s set list, showing how smoothly MWH can switch from modern hard rock to 1980s funk guitar riffs and high, pretty, soulful vocals. Lester took it even higher when he lead the trio through The Bee Gees’ “You Should Be Dancing,” another that pulled several dancers onto the floor. Boy, did the rhythm section funk things up beneath the guitar and vocals.

The trio played catchy pop songs like Maroon 5’s “This Love” and The Cars “Let’s Go” before performing a beautiful Who classic “Behind Blue Eyes.” They make these selections work together with their strong musical personalities. Jittery guitar riffs on 5’s tune, bouncy melody during The Cars song, and persistent strumming on The Who number combined with Lester’s high vocal and the rhythm sections driving thump to make the parts become a whole plate of MWH offerings.

Lester has been a master guitarist for years, having played in originals bands in California before returning to his native New Hampshire. It was a treat to hear his ringing guitar tones flying out of the amps during Tom Petty songs “Running Down A Dream” and “American Girl.”

Monkeys With Hammers managed all the twists and turns in a tight delivery of Johnny Cash’s “Folsom Prison Blues.” Moving into The White Stripes “Seven Nation Army” they showcased their ability to fill a sonic landscape with wavy guitar lines and a knobby marching beat, filling the sonic landscape with that thumping, spiking tune. Foo Fighters “Learn To Fly” showed what the trio could do with this mid-tempo, easeful, flowing rocker. It also offered another fine Lester guitar phrase and his ever so pleasant vocal.

Lester sang more aggressively on Billy Idol’s “Rebel Yell,” a rocker and dance number in one, which pulled people back onto the dance floor, as the singer-guitarist straddled the song’s oppositions.  After these more slickly produced tunes, MWH went into some grinding guitar classics. ZZ Tops’ “Home On The Grange” let Lester shine on his guitar once again. Fiery, unwieldy guitar phrases made it sound like the six string was crying out during the raw, raucous number, one that that felt as large as Texas. The Monkey boys were even rawer on Stones classic “Start Me Up” and “Honky Tonk Woman.” The trio was equally adept with the raw roots sound as they were the pop rock material.

SONY DSC‘One Way Out” was a particularly rousing number for the trio. Lester fired off some of his best guitar phrasing on the evening. He also applied his bluesy rasp to the memorable vocal line as the rhythm boys knocked this one out of the ballpark. Lester even helped Wagley with his drum solo, joining with a pair of sticks of his own.

The Beatles’ “Come Together” was seriously aggressive. You could feel his disease every time the hefty groove mushroomed from back beat into something mountainous.  Next, Duran Duran’s “Hungry Like A Wolf” was a fast moving trip down memory for those of us who grew up in the 1980s.  Then, Led Zeppelin’s “Dancing Days” played out as a thick weave of primal instrumentation cranking out flinty rhythm.

Monkeys With Hammers closed out with The Who’s large sounding “Won’t Get Fooled Again.” It was impressive how all of the trio’s complex guitar parts, bass lines, and multitude of drum smacks dovetailed by the strength of their combined talents.

Monkeys With Hammers impressed the serious listeners while entertaining the fans looking for something good to dance to. It’s the best of both worlds, and it’s sure to get Monkeys With Hammers a huge fan base. They might even be the next Mama Kicks on the cover scene.

Aside from being a venue, Whippersnappers is also a fantastic restaurant. I recommend the Elvis Presley burger. A double beef stacker, the bacon and eggs make it a meal fit for a king. Perfection!

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